Sandar Tun Tun build their work around fabulation, new alliances and collaborative trajectories. Artist, researcher, DJ and composer, they develop a sonic, spatial and performative practice focused on listening as a critical and sensitive responsiveness. Drawing on the social space of music and its transgressive perspectives their projects explore ways of reverence or interversion to inhabit dissonance, fragmentation and noise. Their research focuses on the modalities of transmission within aural cultures and engineered narratives, the space of appearance/ disappearance, the relationship between technology and spirituality, non-human ecologies and collective consciousness and often leads to the experimentation of languages, strategies and co-composition processes ranging from the creation of entities to the organisation of events, study groups or sound poetry evenings. Sandar embodies the musical entities Nay Thit (DJ, producer) and SD S (noise, experimental music) and is also one half of BARE-TT, an experimental music duo formed in 2016 that explores the sonic narrative possibilities at the intersection of queer and feminist science fiction and the symbiotic relationships of the living.