Rebecca Lane is a musician who explores intonation, focusing on extended just intonation & alternative tuning systems and the perceptual & relational aspects of sounding/activating this acoustic phenomena with others. Thus her practice is informed by ongoing relationships and collaborations with composer-performers (such as Catherine Lamb & Clara de Asís) and within various duos and ensembles (eg. Sam Dunscombe, Harmonic Space Orchestra), utilizing various flutes (flutes, Kingma System quartertone bass flute, recorders) and occasionally voice or objects.

Clara de Asís (b. 1988, Spain) is a composer and sound artist who explores the nexus of acoustics, spatiality, alternative notation and the phenomenology of listening.

Alongside her compositions, her performance practice involves the use of electronics, various materials and found objects, transcending musical categories towards the experience of sound and placing the act of listening at the core of the creative process.

She develops the notion of simplicity as an aesthetic principle.