Attuned to the ratio of void as an auditory method between interior and exterior realms

Sonic experience is understood as an ongoing interaction between outer forces and inner rhythms, where perception is continuously formed through shifting energies. It is approached as an atmospheric condition inseparable from environmental movement and bodily motion. Sound is not treated as a stable object, but as a shifting field of pressure, turbulence, and modulation that emerges through processes such as weathering and the subtle drift of air. These moments of interruption become sites where material and immaterial forces exchange, allowing perception to shift between containment and porosity.

Tzu Ni is a Taiwanese artist currently based in the Netherlands. She believes in the flexibility of human bodies and views the intersection of technology and humanity as a sweet spot, seeking the balance between institutional and non-institutional contexts. Her practice explores the entangled relationship between sound, gender, and space, often through multichannel sonic installations, field recordings, and text‑based narratives that emerge from subconscious memory. Working at the intersection of embodied listening and spatial poetics, she constructs environments where sound becomes a medium of intimacy, resistance, and relational knowledge.