Each year, Q-O2 welcomes students of ENSAV La Cambre for a Sound Creation and Experimental Music course. It offers a framework for listening, experimentation and reflection on sound-related issues, observed through the prism of body-machine relations. Taking as its starting point the ‘Cyborg Manifesto’ by Donna Haraway (1985), the course invites students to imagine a cyborgian language, to consider sound as a mutant language enabling communication between beings, bet they locusts, artificial intelligences, pigeons, humans, rocks.

With works by Charlotte Barreyre, Sam Boisbineuf, Marilou Dard, Dima Emelianenko, Adèle Fisch, Marius Herbert, Raphaël Humbert-Martin, Justine Jossen, Seza Lebars, Coline Lebeau, Mopsa Marciano, Léo Marybrasse, Dan Meyer, Nathan Pierard, Joseph Vincent, Sebastian Voigt.