Rudimenti is an open project, aimed at broadening my personal research on percussion instruments and their surfaces; intended as habitable spaces able to receive the vitality of what surrounds them, to adapt themselves and to act back.

Rudimenti comprises multiple trajectories of research: from writing texts to the realization of scores/instructions for percussion ensembles; to the formalization of listening exercises; to the development of “polyrhythms” meant as the production of multiple informations given over through the relationships between movement, space and sound.

The residency at Q-O2 was aimed at developing durational sound practices through which I collected intuitions and ideas in order to realize a text publication whose main topic will be the unstable and forever ‘under-construction’ relations between movement, materials and surfaces as well as the distance between human and non-human beings in the production of sounds.