For this residency, I’ll be working in a solo set for acoustic guitar and processed field and archive recordings. The material I’m using comes from different practices: some of it are short pieces for solo guitar, others are recordings of realizations I did of text scores in public and domestic contexts, and some others are archive materials (interviews, musical recordings, fragments of movie dialogues, etc.). Some of this materials are related to texts I wrote or found and objects I collect. This collection holds different aesthetic and semiotic values for me: some of them are very personal, others are local references, some others are recently found by me. I’m interested in treating musical narrative as a place where I model and modulate the semiotic charge these materials have for me and potentially for others. A long-term objective is to find out how this dramaturgy can be expanded to other materialities other than sound, to the more general realm of « events », by curating settings of objects, putting together texts and publications, using other types of archives, and so on.