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Frequency fields. Milena Kipfmüller & Klaus Janek plan to engineer a solid set as composition instrument. At the beginning of the research they decide about abilities and aesthetic characteristics of the instrument, which will intrinsically define its sounding and performative qualities. At this stage a guest from Berlin, Lukas Matthaei, will work with them.
Then they go through try outs with a smaller audience, installing a performative situation in an indoor space, being a stage, a hall, a smaller room, etc. The feedbacks from the listeners give the possibility to go further through the process, bringing the instrument to an outside, urban environment, where the city and its notches (Kerben) puts the work/composition into friction with a specific shaped and resonating space.
At last Milena Kipfmüller & Klaus Janek will try out the possibility of composing in a mobile way, integrating live recorded and processed sound of outside. Specific spaces and its acoustic qualities function as analog live effects as part of the composition.
They experiment with an instrumentation of double-bass, oboe, recorder, laptop, analog gear, pickups on a variety of objects, voices reading text (recorded or live), radio-transmitters and radios.