TAPE THAT tapes almost everthing and layers it with almost everything else.They create pieces of music by juxtaposing different sounds in different spaces. Live playing in the studio layered, in real time, with ambient recordings from other places, complex microphone set ups recording the sounds up close and afar, samples put directly to TAPE as well as being recorded in the room, switching from this to THAT according to different principles of organisation and different structural limitations; different species of hits: The Background Hits, The Very Room Hits, Hit Hits, Pure Tape Hits, etc. After a two week Q-O2-residency, TAPE THAT plays a selection of pieces of the Catalogue of Flat Hits.Excerpts of room ambiances, object manipulations, samples of object manipulations, field recordings and equipment noises are mixed into short textural landscapes full of associations and layered realities.