Marina Rosenfeld is a composer and artist based in New York. In recent years her works, ranging from large-scale site interventions, sound installation and performance to electro-acoustic music and live turntablism, have been widely commissioned by institutions in Europe and North America, including the Whitney Museum (Whitney Biennials 2002 and 2008); Stedelijk Museum; Tate Modern; The Kitchen, Creative Time, and the Contemporary Jewish Museum San Francisco; and festivals including the Holland Festival, Performa Biennial, Donaueschingen, Ars Electronica, Wien Modern, Musikprotokoll, Pro Musica Nova, Maerz Musik, Mutek, and Los Angeles' Center for Experiments in Art, Information and Technology, among many others. Upcoming projects include the 2010 Liverpool Biennial, Ultima Festival (Oslo) and Äänen Lumo Festival (Helsinki). She has created scores for the Merce Cunningham and Douglas Dunn dance companies and has collaborated with artists including George Lewis, Christian Marclay, Ikue Mori, Lee Ranaldo, DJ Olive, and Anthony Coleman, among many others. Rosenfeld recordings can be found on Charhizma, Softl Music, Room 40 and Innova. She's been a member of the faculty at Bard College's Milton Avery School of the Arts in New York since 2003, and co-chair of its program in Music/Sound since 2007.