In the last 2 years we continued developing our mobile concert format concerto ambulante, first performed at the Q-O2 2017. A further development of the project culminated in the idea of conceiving the format as mobile radiophonic opera. A first sketch has been developed during a residency in Jerusalem in 2018 and performed it at Musrara Mix Festival.
During this working period we want to research about the relation between an open set up, a fixed score and the format of an oevre (Werk). How open can a score be without putting the compositorial structure into risk? How much is the authorship distributed between the composers and acting musicians, performers? And what does it mean to create an operatic set up in a site specific every day life environment?

In collaboration with a.pass